Although most people use their phones to take pictures nowadays, some photography lovers still use cameras that require film. Most people are familiar with 35mm and 120 film but not many are familiar with 110 film. \n\n\n\n110 film is a very small film format first produced by Kodak in 1972. It was popular from 1972 - 1994 due to the film's small size, small cameras size, ease of loading and unloading film, and low cost. However, the small size of 110 negatives meant images were grainy and blurry when enlarged. Lomography began making film in 2011 and is the largest producer of 110 film.\n\n\n\n110 film was all the rage at a specific point in history but eventually lost out to 35mm and digital cameras. All of the information that you may want to know about 110 film is included below.\n\n\n\n\n\n\n\nHow to Determine if Film is 110?\n\n\n\n110 color film by Lomography. See the type of film on the packaging and the film itself. \n\n\n\nYou may have some 110 film and aren't sure if it is 110 film or not. To determine if the film you have is 110 film, look on the outside of the box for the number 110.\n\n\n\nA roll of 110 Fujicolor 200 color film with 24 exposures. This roll of 110 film is unused and ready to be put into a camera because of the arrows in the window on the back of the film roll\n\n\n\nIf the film is out of the packaging, the easiest way to know what kind of film it is look for the distinctive shape of the 110 film canister. 110 film doesn't rewind like 35mm film and only winds in one direction so it has two areas to hold a spool of film on either side of the cannister. 110 film also has a unique window on the back of the film canister to show you what how many frames are left on the backing paper (similar to 120 or Medium Format film).\n\n\n\nIf all fails, you can also look for 110 on the film cassette to tell you what film it is, what type (color or black & white), the exposure count, and what ISO the film is.\n\n\n\n\n\n\n\nWhen Did Kodak Stop Making 110?\n\n\n\n1972 Kodak Ad for 110 film and cameras \n\n\n\n110 film was very popular when it was first released by Kodak in 1972, as a smaller version of their cartridge-based 126 film format allowing for smaller and more compact cameras to be made. With the 110 film designation, Kodak reused a film format name it used almost 70 years prior for roll film. However, Kodak stopped making 110 film camera in 1994 because of the low demand for the product due to 35mm taking over and the rise of digital cameras as well as the shortcoming of the films small size. Fujifilm also stopped producing the 110 film format until 2004 with Kodak stopping a few years later.\n\n\n\nEven though Kodak stopped selling other versions of 110 film cameras in 1994, a slide version of 110 film was produced by Kodak until 1982 and a black & white 110 film version, called Verichrome Pan, was produced until 1995. \n\n\n\nExpired 110 color film. Notice how unsharp and grainy the image is.\n\n\n\nIn its original run, 110 film was only popular for a short time because it was extremely sensitive to heat, the lSO was never really standardized (could be 64 or 100 ISO) and there were few 110 cameras that could read the tabs denoting what ISO was in the cassette making it hard to get a correct exposure. Also, since the film was so small (equivalent to 16mm film) the images were not very sharp and grainy when printed or enlarged.\n\n\n\nThe ISO tab on a 110 film cassette\n\n\n\nAPS Film Tried to Replace 110 Film\n\n\n\nAPS (Advanced Photo System) was released in 1996 as a replacement for 110 film as an automatic and easy to load film canister similar to 35mm but a smaller size. APS film was double the size of 110 (1 inch wide vs 110 film 1\/2 inch wide film) as a compromise to get sharper prints and enlargements. \n\n\n\nMost APS cameras could produce film negatives in three sizes: the APS-C (for classic and 25.1 x 16.7 mm; aspect ratio 3:2), APS-P (for panoramic and 30.2 x 9.5 mm; aspect ratio 3:1), and APS-H (for HDTV and 30.2 x 16.7 mm; aspect ratio 16:9). \n\n\n\nInterestingly enough, some modern digital DSLR cameras sensors that are full frame (24mm x 36mm and roughly the same as 35mm film negative) are called APS-C after this APS film negative size but actually smaller at 22.3\u00d714.9mm for Canon cameras and 23.6\u00d715.6mm for other brands like Nikon, Sony, and Pentax. \n\n\n\nA comparison of the negative sizes for 110, APS, and 135 (35mm) film formats\n\n\n\nAPS film tried to replace 110 film, but despite its ease of use (though it did have drawbacks), APS film has not been in production since 2011 while new 110 film is still being produced. \n\n\n\n\n\n\n\nDoes Anyone Still Make 110 Film?\n\n\n\n110 color film by Lomography\n\n\n\nIn 2011 Lomography photography company began making 110 films again staring with their Peacock color slide film followed in 2012 by black & white film called Orca along with other 110 films in the following years. \n\n\n\nNew 110 Film Available\n\n\n\nBelow is a list of 110 film produced by Lomography (currently the only producer of 110 film):\n\n\n\nLomography Orca Black and White 110 Film Scan\n\n\n\n\nLomography Orca 100 ISO black & white 110 film has bold contrast with 24 exposures and costs around $17\n\n\n\n\n\nLomography Tiger 200 ISO color 110 film is gives you 24 exposures costs around $22.90 for a 3-pack\n\n\n\n\n\nLomography Lobster 200 ISO redscale 110 film has warm shades of red, orange and yellow as well as gives you 24 exposures and costs around $9\n\n\n\n\n\nLomography Peacock 200 ISO color slide 110 film has saturated blue, green and yellow tones give you 24 exposures and costs around $44 for a 3-pack\n\n\n\n\n\nLomography Metropolis 100 - 400 ISO color slide 110 film is contrasy with muted tones and desaturated colors with 24 exposures and costs around\n\n\n\n\n\nLomography Purple 100 - 400 ISO color slide 110 film gives you earthy reds, crisp plums and velvety violet hues with 24 exposures and costs around\n\n\n\n\nLomography will be unveiling it's 7th new 110 film, the Lomography Turquoise 100 - 400 ISO color film, in Nov 2022. \n\n\n\nOld & Expired 110 Film Available\n\n\n\nYou can also purchase old 110 film, however, since Kodak and Fujifilm stopped production of their 110 films in 2012 and 2004 so most 110 film unless made by Lomography will be expired and unusable since it won't likely be stored correctly. Old 110 film can be purchased from online sellers or in antique markets. However, expired 110 film is notoriously finicky so shoot it your own risk:\n\n\n\n\nEbay sells 110 film for around $10 a roll but can also be purchased in bulk to save money.\n\n\n\nEtsy sells 110 film bundles for between $20 - $50\n\n\n\n\n\n\n\n\nCan 110 film Still Be Developed?\n\n\n\nKodak 110 color film negatives and film canister\n\n\n\n110 film can still be developed and you can expect to pay between $9.96 - $14.99 (USD) for scans and a set of 4 x6 inch prints at Walgreens, Walmart, or CVS. However, these places won't return your film negatives to scan at a later date and take a much longer time to process than other places. There are also many film development labs that will develop 110 film, scan it, and return your negatives for between $15 - $38.98 with digital scans or $10 - $20 for film development without digital scans. \n\n\n\nBelow is a chart that compares different labs across the US that can develop 110 film by in-store or through the mail: \n\n\n\nOnline Film DeveloperCost for Film Development with ScansCost for Film Development Only (no scans)Cost for PrintsReturn Shipping Included?How Long?The Darkroom$17 with standard-sized scans (1024 x 1270 at 3.75MB) N\/AA set of 4x6 inch glossy prints is $8; $14 for true black & white printsNo, about $5.951 - 2 weeksRichard Photo Lab$38.98 for color; $40.98 for b&w; $44.98 for slides(1025 x 1450 at 3 - 5 mb)$9.47 for color and black & white; $17.99 for E-6 film (slide)Set of 4x6 in \/ 4.5x6 in \/ 5x5 in prints cost $3.60No1 - 2 weeksDwayne's Photo$15 for color; $17 for b&w; $18 for slide film (unmounted)$10 for color; $12 for b&w; $13 for slide film (unmounted)Set of 4x6 inch prints cost $4; A set of 5x7 inch prints cost $7No, $5 + $.50 for each additional film roll1 - 2 weeksBlue Moon Camera$48.50 for C-41, $50.25 for b&w, $53.50 for E-6 (slide)$8.50 for C-41, $10.25 for b&w, $13.50 for E-6 (slide)A set of 4x5 inch prints cost $21.60No1 - 2 weeksOld School Photo Lab$26 for color: $27 for b&w; $28 for slide film$16 for color: $17 for b&w; $18 for slide filmA set of 4x5 inch prints cost $6 moreYes, price includes free shipping there to facility and back2 - 3 weeksProcess One Photo$24.95 for color 110 with digital scans$4.99 for color 110 only without scans or prints$19.99 for development and 4x6" printsNo1 - 2 weeksPrice comparison of different mail order film processing facilities that can develop 110 film\n\n\n\nBased on the chart above, I'd recommend either Dwayne's Photo or The Darkroom for 110 film development based on price, turnaround time, price of scans, and how easy the ordering system is to use. \n\n\n\nFor information on how to package your film for mailing when developing film to these places see this guide. \n\n\n\n\n\n\n\nHow to Develop 110 film at Home?\n\n\n\nDeveloping 110 film at home is as easy as developing color film or black & white 35mm (or 135) or medium format film (120). However, most film tanks for developing film at home aren't able to get small enough to hold 110 film so you need to purchase a special film reel (like this one for a Patterson Tank on Etsy) that is able to get small enough to load to film on it for development. \n\n\n\nYou also need to get the film out of the film canister before you can develop it and it has its challenges. There are two ways to get film out of a 110 film cassette: Cut the film out of the film cassette or stop winding film to pull it out of cassette (the easiest method). \n\n\n\nMethod #1: Cut the film out of the film cassette \n\n\n\nTo first way to remove 110 film from the film cassette is to cut the film out of the film cartridge follow the steps outlined in this guide. Keep in mind that Lomography film cassettes are easier to cut open than older 110 film cassettes. In general, the steps are as follows. \n\n\n\nCutting the plastic seems on a 110 film cassette to open it up\n\n\n\n\nFirst you will need to score the top with a razor to open the top of the film cartridge following the plastic welds.\n\n\n\nLocate the seam on the two bulbous supply and take-up chambers on either side of the film cartridge\n\n\n\nGo into an environment without light or a film changing bag\n\n\n\nCarefully take the razor knife and try to separate that seam by seating the blade into the seam and rotate the knife along the chambers.\n\n\n\nCut through the seam on both the supply and take up chambers\n\n\n\nAt this point the film cassette should be open enough to pull the film out and able to load onto a film developing reel that is size correctly and Develop the film like you would develop color film or black & white film using the correct chemistry for the film type\n\n\n\n\n\n\n\n\nThe easier method to remove 110 film from the film cassette | youtube\n\n\n\nMethod #2: Wind Film So You Can Pull Film Out of 110 Film Cassette\n\n\n\nThe easier method to remove 110 film from the cassette comes from a guide on youtube by Room 111 Photography and is to stop winding the film at a certain point so you can pull the film out of the cassette. (This can only be done with non-automatic winding 110 cameras.)\n\n\n\nTo set up 110 film to pulled out of the film canister, wind the film until the last black part of the backing paper is still viewable in the frame counter window\n\n\n\n\nWhen you are winding the film after the last shot, stop winding the film until the last black part of the backing paper is still viewable in the frame counter window.\n\n\n\nUnload the film canister from the camera and flip the film canister over. You should find the 110 film leader sticking out. \n\n\n\nPull the backing paper out with a dental hook bent paper clip\n\n\n\nMove the film canister into an environment without light or a film changing bag so the film doesn't get exposed to light\n\n\n\nLoad the film into a correctly size film reel (like this one for a Paterson Developing Tank on Etsy) and load it into a film developing tank\n\n\n\nRemove it from the film changing bag or dark environment\n\n\n\nDevelop the film like you would develop color film or develop black & white film using the correct chemistry for the film type\n\n\n\n\n\n\n\n\nHow Many Shots are in a 110 Film?\n\n\n\n110 color film by Lomography. Like all Lomography 110 film, this film has 24 exposures.\n\n\n\nOriginally, 110 film cartridges came with 12, 20, or 24 exposures but modern 110 film, entirely produced by Lomography, comes with 24 shots. This means that you can only take up to 24 pictures on a single roll of 110 film. The good news is 110 film canisters are very small, so multiple cassettes will be able to easily fit in your pocket or bag along with your camera.\n\n\n\n\n\n\n\nCan You Rewind 110 Film?\n\n\n\n110 film doesn't need to be rewound like other films. One of the reason's 110 was created, like 126 film, was to remove the step of having to rewind film back into the film canister to make loading and unload film in and out of a camera much easier. \n\n\n\n\n\n\n\nWhat Cameras Use 110 Film?\n\n\n\nAs far as cameras go, no camera have such a aesthetic variety as the 110 film format (except maybe Fujifilm Instax Mini cameras and early 1990's digital cameras). There are so many types of 110 cameras made by many companies like Holga, Minolta, Pentax, Nikon, Canon, and other novelty 110 cameras (mostly used for advertising). 110 cameras truly came in all kinds of sizes and styles - even some so small that can fit onto your key ring!\n\n\n\nNovelty 110 camera made to look like a can of Coke\n\n\n\nThere are not many 110 cameras being made today (the most recent 110 camera being made was the Diana Baby 110 and can be found for sale here) so most are vintage (read: finicky) and most like the long, flat rectangle version you've undoubtedly seen, only have point-and-shoot capabilities. \n\n\n\nHere are a few 110 camera that I found interesting:\n\n\n\n\nKodak Brownie - Kodak produced a 110 camera similar to the original brownie camera between 1980 and 1982 and didn't need a battery. It was also one of the last cameras in the Brownie series by Kodak and designed for the 100th anniversary of the founding of Kodak in 1980. (see it here) \n\n\n\nKodak Brownie II - One of the last brownie cameras from Kodak made in 1987. It began the look of the long, flat rectangle cameras that most people associate with 110 film cameras. (see it here)\n\n\n\nRollei A110 & E110 - small 110 cameras with a sharp lens and exposure controls (see this great review on 35mmc.com)\n\n\n\nAgfamatic 2008 Tele Pocket camera - a tiny 110 camera with all the bells and whistles (see this great review on casualphotophile.com)\n\n\n\nMinolta Weathermatic - a waterproof 110 camera (see this great review on aperturepreview.com)\n\n\n\nTasco Binocular and camera 8000 - binoculars with a built-in 110 camera so you could take pictures of what you are seeing with 110 film (see it here) \n\n\n\n\nThere were a few 110 SLR cameras made in addition to the point & shoot cameras to make composing and focusing easier and the SLR cameras are some of the most popular and sought after. \n\n\n\nLight path through the Minolta 110 Zoom SLR | image credit\n\n\n\n\nPentax Auto 110 - the world's smallest SLR and one of the most popular 110 camera due to the sharp and interchangeable lenses and exposure controls (see it on Amazon and see this great review on youtube)\n\n\n\nMinolta 110 Zoom SLR - A crazy looking camera that resembles something from an old science fiction show but it's amazing what tech they were able to fit into it (see it here on Amazon and see this great review on youtube)\n\n\n\nMinolta 110 Mk II - a tiny SLR for 110 film that zooms and has some exposure controls (see it here on etsy and see this great review on youtube)\n\n\n\n\n\n\n\n\nHow to Tell If Your 110 Film is Used?\n\n\n\nA film canister of Lomography Tiger 110 color film. Notice the frame counter window on the back of the film. The arrows mean the film has not been used and is ready to be loaded into the camera.\n\n\n\nYou can tell whether or not 110 film has been used by looking in the small frame exposure window on the back of the camera. If the film has not been used, there will be small arrows. It will also have a tail on the side of the canister. If you see the arrows or a tail in a canister of 110 film, you can use the film to take photos.\n\n\n\nIf there are no arrows to be seen in the window, the film has been used. However, if there are no arrows present in the window but instead showing diagonal black and white lines or black paper then the film is used and ready to be processed. You may also see a number showing in the small window, this means how many shots have been taken on the roll. Most all 110 film can take either 12, 20, or 24 exposures with most modern 110, like 110 film made by Lomography, can take 24 exposures. \n\n\n\nSee this guide for more information about used or unused film, including 110 film.\n\n\n\n\n\n\n\nHow Do You Load and Unload 110 film?\n\n\n\nIt is extremely easy to load and unload 110 film. All you have to do is open the film compartment on your 110 camera and push the film cartridge in. Then, you can take all of the pictures that you want until you run out of film exposure (see this guide on how to know your 110 camera is out of film or this guide to know if your 110 film is used or unused). To unload a 110 film canister you just open the film compartment door and pull the film out. \n\n\n\nIf you would like to see a visual representation of how to load 110 film into various 110 cameras, watch the video below:\n\n\n\nHow to load 110 film into a camera\n\n\n\n\n\n\n\nHow Do I Scan 110 Negatives?\n\n\n\n110 film negatives, like most film negatives, can be scanned using a flatbed scanner like the Epson v600. The Epson v600 is a great, inexpensive flatbed scanner, meaning whatever you scan stays flat, and in my experience scans negatives very well. However, if you want higher quality or the ability to scan large negatives, I suggest looking at either the Epson V750, or Epson V850 at a much higher prices. \n\n\n\n\n\n\n\n110 Negative scanner mask for Epson V600 Flatbed scanner On Etsy\n\n\n\nWhile you can get film holder for common formats of like 35mm (135) film and slides, medium format film, and others you may have to specifically search out a film negative film holder for your 110 negatives (such as this one Amazon which runs around $27) to keep your film negatives in place while you scan them. \n\n\n\nHere is a great video on youtube explaining how to use the Epson v600 to scan negatives as well as using the Epson software to reverse the negatives correctly.\n\n\n\n\n\n\n\nDoes 110 Film Go Bad?\n\n\n\n110 film does go bad, but it takes more than 10 years to expire. The lifespan of film is extremely long and can be extended if stored properly, which means storing the film in the freezer or a cold, dark, and dry room.\n\n\n\nExpired 110 color film. Notice how unsharp and grainy the image is.\n\n\n\nExpired 110 film can still be used, but the colors will not be vibrant and will be of extremely low quality. You will have to be extra cautious when using old and expired film if you want the pictures to turn out relatively well but that is part of the fun of using expired film - not know what it will look like!\n\n\n\nYou can determine whether or not 110 film has expired by looking for an expiration date on the film packaging. If your film is without a box, then the only way to know if it is expired is to develop it. \n\n\n\nThe rule of thumb if you don't know how the film was stored is to give the film 1-stop of light per decade that it is expired. However, few 110 cameras had exposure controls so you don't have a way to change the amount of light coming into the camera and you are stuck with what you get. \n\n\n\n\n\n\n\n110 Film vs 35mm Film?\n\n\n\n110 film was created to be much easier to load and unload film into and out of camera than 135 (35mm) film to limit user error that resulted in the film not recording images. 110 cameras are also smaller, easier and cheaper to manufacture since they often don't have as many electronic parts, and much easier to use because you just have to point and shoot. \n\n\n\nFilm negative comparison with (top to bottom): 110, APS, 135 (35mm), and 120 (medium format) film.\n\n\n\nHowever, many people still prefer to use the larger 35mm (135) film over 110 film because since the film is larger the resolution is better, the resulting photos are sharper which makes the photos easier to enlarge past 4x6 inches, and you have more control over the exposure with 35mm (135) film cameras. Since 35mm (135) film is the standard size of film more stores will develop 35mm at a much cheaper and faster rate than the 110 film but there are still places that will develop 110 film but it is more expensive than 35mm film. For example, it is $6 for 35mm film development at Dwayne's Photo versus $15 to develop 110 film at same store. \n\n\n\n\n\n\n\nIs 110 Film the Same as 16mm Film?\n\n\n\n110 film and 16mm movie film are similar in width and development, however the main difference between 110 and 16mm film is the width of the perforations that tell the camera how long long the film negatives are on the film strip. The perforations between the negatives on 110 film are 25mm apart while the perforations on 16mm film are 8mm apart. This is because 16mm film moves through the camera vertically while 110 film moves through the camera horizontally allowing the negatives to be larger. \n\n\n\n16mm movie film vs 110 film. They have the same width but the perforation holes are spaced differently\n\n\n\nBecause 110 and 16mm film are the same width, you can reload 110 film canisters with 16mm film. If you use 16mm film in a 110 film canister, the film will stop before all of it is used, so you will only be able to take a limited number of pictures. The images will also overlap. This is partially because of the difference in where the perforations are located on the film strips.\n\n\n\n\n\n\n\nHow to Store 110 Film?\n\n\n\n110 film should be stored just like any other roll film. If it is color film or slide the film It should be kept in a cold, dark, and dry place like a freezer or refrigerator. This will preserve the life of the film beyond its expiration date and keep the film fresh for when you decided to shoot it. If the film is black & white you can keep it in the fridge or freezer but it isn't necessary - just keep it in a cool, dark, and dry place. \n\n\n\nFilm Stored In the Fridge To Prolong The Shelf Life\n\n\n\nOther tips for storing 110 film is to keep the film in its box and foil packaging, which will help battle the humidity inside and protect the film. Before using the film when storing it in the freezer or refrigerator, make sure to take it out of the freezer and let it defrost for a few hours before using it. \n\n\n\n\n\n\n\nIn Summary\n\n\n\n110 film is an unique film that was popular from the 1970's - 1990's. It has made a comeback with Lomography making film starting in 2011 with film currently being made and new film coming out. Lomography is the largest producer of 110 film but you can also find old or expired 110 film form other companies online. 110 film can still be developed by Walgreens, Walmart, or CVS for around $9.96 - $14.99 (USD) for scans and a set of 4 x6 inch prints (but won't return your negatives) or other processing labs that can develop 110 film in store or through the mail for $15 - $38.98 with digital scans or $10 - $20 without scans of your film from online film development labs. \n\n\n\n110 film is about 60% smaller than 35mm film and 24 exposures is the most common amount of frames. 110 film is the same width as 16mm movie film but the perforation holes that tells the camera where to stop is further apart on the 110 cameras so if you use it in the camera be aware. Storing 110 film is the same as other color, black & white, or slide film - in a cool, dark, and dry location like a refrigerator or freezer. If storing in a freezer or refrigerator be sure to let is sit to defrost for a 4 hours before using it. \n\n\n\nThere were a many 110 cameras made but were mostly just point and shoot cameras for ease-of-use but there were also some SLR 110 cameras made that are very popular like the Pentax 110 Auto, the world's smallest SLR and has sharp interchangeable lenses. If you want to scan 110 film, you will need a 110 film scanner mask to hold the film down for scanning on a flatbed scanner (such as this one Amazon which runs around $27).